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Winners Galore for Oboe
Winners Galore for Oboe ThumbnailWinners Galore for Oboe Thumbnail

arr Peter Lawrance

Winners Galore for Oboe

  • £8.50

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  • Product Details
  • Composer Biography

Instrument: oboe unaccompanied
Grade: very easy—easy
Catalogue No: 0315
ISMN No: 9790570271290

The widespread popularity of Winners Galore for Oboe can be attributed to many factors. Most importantly, young players and teachers alike appreciate that each title has been carefully arranged to suit the particular range, technique and characteristics of the instrument. They find that the bumper collection of thirty-eight ever-popular tunes drawn from a wide variety of musical styles is guaranteed to whet the appetites of players and audiences alike. There is something for players of all ages to dip into and enjoy. With or without the easy separate piano accompaniment this is a collection that players will enjoy practising and performing.
Winners Galore for Oboe makes an ideal companion to a tutor book, providing enjoyment as well as essential repertoire.

... A Life on the Ocean Waves • Aria from The Marriage of Figaro • Birdie Song • Blackadder Theme • Bolero • Bridal March • Camptown Races • Cornish Floral Dance • Danny Boy • Drunken Sailor • English Country Garden • Emmerdale • Fawlty Towers Theme • Flintstones Theme • Give Me Joy in My Heart • Grand March from Aida • Happy Birthday • Hornpipe • In Dulci Jubilo • Kalinka • Land of Hope and Glory • Last of the Summer Wine • Laurel and Hardy Theme • Linden Lea • Little Donkey • Mairi's Wedding • Miss Marple Theme • Monty Python Theme • Nessun Dorma • Portsmouth • Postman Pat • Prelude • Teddy Bear's Picnic • The Ash Grove • The Entertainer • Theme from 9th Symphony (Beethoven) • Tie Me Kangaroo Down, Sport • Van der Valk Theme • We Wish You a Merry Christmas • Wombling Song


For optional piano accompaniment see Next Title.
Peter Lawrance
Peter Lawrance had lessons with James Brown at the Royal Academy of Music after which he attended Liverpool and Reading Universities, studying composition with Hugh Wood and the horn with James Eastham. He then followed an extensive career in playing and teaching, including working as head of an instrumental teaching service and as an examiner for the Guildhall School of Music.
His educational music and compositions for brass, wind and orchestra have been widely published and performed.

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