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  • Winners Galore for Alto Saxophone
    Winners Galore for Alto Saxophone ThumbnailWinners Galore for Alto Saxophone Thumbnail

    arr Peter Lawrance

    Winners Galore for Alto Saxophone

    • 7.50

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    • Product Details
    • Composer Biography

    Instrument: saxophone unaccompanied
    Grade: very easyeasy
    Catalogue No: 0316
    ISMN No: 9790570273461

    The widespread popularity of Winners Galore for Saxophone can be attributed to many factors. Most importantly, young players and teachers alike appreciate that each title has been carefully arranged to suit the particular range, technique and characteristics of the featured individual instrument. They find that the bumper collection of forty-two ever-popular tunes drawn from a wide variety of musical styles is guaranteed to whet the appetites of players and audiences alike. There is something for players of all ages to dip into and enjoy.
    Winners Galore for Saxophone makes an ideal companion to a tutor book, providing enjoyment as well as essential repertoire.

    ... Blackadder Theme • Bolero (Ravel) • Can-Can • Consider Yourself • Cornish Floral Dance • Danny Boy • Day Trip to Bangor • Eastenders Theme • English Country Garden • Fawlty Towers Theme • Flintstones Theme • Grand March from Aida • Happy Birthday • Hava Nagila • Hornpipe • I Do Like to be Beside the Seaside • In The Mood • Irish Washerwoman • Kalinka • Last of the Summer Wine • March from The Pirates of Penzance • March Slav • Miss Marple Theme • Monty Python Theme • Muppet Show Opening • Neighbours Theme • Nessun Dorma • Pink Panther • Portsmouth • Prelude (Bizet) • Spread a Little Happiness • Spring - The Four Seasons • Teddy Bears' Picnic • The Ash Grove • The Entertainer • Theme from 9th Symphony • Theme from Karella Suite • Tie Me Kangaroo Down, Sport • Van der Valk Theme • Vlava - Ma Vlast • We Wish You a Merry Christmas • Wombling Song
    Peter Lawrance
    Peter Lawrance had lessons with James Brown at the Royal Academy of Music after which he attended Liverpool and Reading Universities, studying composition with Hugh Wood and the horn with James Eastham. He then followed an extensive career in playing and teaching, including working as head of an instrumental teaching service and as an examiner for the Guildhall School of Music.
    His educational music and compositions for brass, wind and orchestra have been widely published and performed.

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