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Winners Galore for Descant Recorder
Winners Galore for Descant Recorder ThumbnailWinners Galore for Descant Recorder Thumbnail

arr Peter Lawrance

Winners Galore for Descant Recorder

  • £7.50

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  • Product Details
  • Composer Biography

Instrument: descant recorder unaccompanied
Grade: very easy—easy
Catalogue No: 0310
ISMN No: 9790570273645

The widespread popularity of Winners Galore for Descant Recorder can be attributed to many factors. Most importantly, young players and teachers alike appreciate that each title has been carefully arranged to suit the particular range, technique and characteristics of the instrument. They find that the bumper collection of 38 ever-popular tunes drawn from a wide variety of musical styles is guaranteed to whet the appetites of players and audiences alike. There is something for players of all ages to dip into and enjoy. With or without the easy separate piano accompaniment this is a collection that players will enjoy practising and performing.

Winners Galore for Descant Recorder makes an ideal companion to a tutor book, providing enjoyment as well as essential repertoire.

... Aria - The Marriage of Figaro • Birdie Song • Blackadder Theme • Bolero • Bridal March • Can Can • Drunken Sailor • Emmerdale Farm Theme • Fawlty Towers Theme • Flintstones' Theme • Give Me Joy in My Heart • Happy Birthday • In Dulci Jubilo • In the Mood • Kalinka • Land of Hope and Glory • Last of the Summer Wine • Laurel & Hardy Theme • Linden Lea • Minder • Miss Marple Theme • Monty Python Theme • Morning - Peer Gynt • Muppet Show Opening • Nessun Dorma • Portsmouth • Postman Pat • Prelude (Bizet) • Spread a Little Happiness • Teddy Bears' Picnic • The Archers' Theme • The Entertainer • Theme from 9th Symphony • Theme from William Tell • Tie Me Kangaroo Down, Sport • Van der Valk Theme • We Wish You a Merry Christmas • Wombling Song

For optional piano accompaniment see Next Title.
Peter Lawrance
Peter Lawrance had lessons with James Brown at the Royal Academy of Music after which he attended Liverpool and Reading Universities, studying composition with Hugh Wood and the horn with James Eastham. He then followed an extensive career in playing and teaching, including working as head of an instrumental teaching service and as an examiner for the Guildhall School of Music.
His educational music and compositions for brass, wind and orchestra have been widely published and performed.

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