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  • Nimrod
    Nimrod ThumbnailNimrod Thumbnail

    Elgar arr John Humphries


    • 13.75


    • Product Details
    • Composer Biography

    Instrument: horns in F in 8 parts
    Grade: medium
    Catalogue No: 2910
    ISMN No: 9790570270651

    Although Nimrod allegedly describes a conversation between Elgar and his publisher about Beethoven, it is now regarded as one of the finest pieces in all English music and its character sums up the spirit of its era.

    "... I really like this arrangement. From an educational standpoint the key in Db, Gb concert, offers a different challenge and a welcome change from the many ensemble pieces in concert F, Eb or Bb, a benefit it also offers in terms of programming, whilst it also enables younger players to learn more about ensemble and Elgarian style. The highest note is a high Bb so most good young sections will be able to enjoy this great music and more experienced players can add something very majestic and grand to their repertoire amidst the hurly burly of Ruslan and La Danza. Highly recommended..."
    Reviewed 'The Horn Player'
    John Humphries
    John Humphries was born in Sheffield, and read Music at Oxford University. Subsequently he attended London's Guildhall School of Music, where he studied the natural horn with Anthony Halstead. His editions of horn music have been performed by many of the world's leading horn players, including Barry Tuckwell, Michael Thompson, Eric Ruske, Anthony Halstead, Stephen Stirling, Frank Lloyd, Javier Bonet and Raul Diaz and his reconstructions of Mozart's incomplete horn concerto movements have been praised for their "polish, authenticity, good scholarship and talent".

    He is also well known as an arranger. One of his arrangements appears on the legendary London Horn Sound CD while others have been played worldwide by "The Wallace Collection". His arrangements for young players appear on all the main examination syllabuses in the UK.

    As a writer, he has contributed booklet notes for many CDs and programme notes for hundreds of concerts. He has contributed articles and reviews for "The Horn Call", "The Horn Magazine" and "Brass Bulletin". His book, "The Early Horn", was published by Cambridge University Press in 2000 and has been described as "a superb book" "packed with usefulness" "Rarely can anything have been written on the early history of the horn that is quite as accessible and flowing." John is also a teacher and an examiner. He lives in Surrey, England with his wife, son and daughter and his hobbies include collecting brass instruments and repairing them.

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